Something Green Always Finds Its Way

Winning the Nebraska Book Award for poetry provided me with a 2-week residency at The Kimmel Harding Nelson Center for the Arts.

I spent the first four days of my residency staring at my computer and/or out the window in my studio space, paralyzed by the pressure I'd placed on myself to create something incredible.

The gift of space and time, though wonderful, took on a terrible weight. Having space to just be and write meant that I had to sit in that studio and hash it out with my demons disguised as what ifs. What if I left the residency having written nothing? Worse, what if I left with a handful of mediocre poems that would never see the light of day?

What if someone walked in the door and said, “We made a mistake. We meant to give this residency to the other Sarah McKinstry-Brown.”

On day five of my residency, I sat down at my desk, looked out the window, and suddenly envisioned a clutch of Honeysuckle climbing up a crumbling wall. The image filled me with an intense longing, as it made me think of a dear friend who, every time we drove past an abandoned farmhouse or dilapidated structure as we travelled along New Mexico’s open roads, would point and say, “That was someone’s dream.”

But I didn’t just see a crumbling wall, I saw Honeysuckle climbing that wall, and in that moment I felt, in a very deep and raw sense, how insistent life is; no matter the circumstances, something green always finds its way.

Milan Kundera wrote that “A single metaphor can give birth to love.” 

So began my work Persephone, Back from the Dead, a collection of persona poems that explore the complexities of the mother-daughter relationship, retelling the story of Persephone’s abduction through the voices of Demeter, Persephone, and a Greek Chorus, re-imagined as a group of mothers who dole out advice.

Broken into two parts, “Return” and “Departure”, the book opens on Persephone’s first day back from hell and closes on the first snowfall after Persephone has left her mother, departing to the underworld once again.

The book is currently under consideration for publication by a handful of presses; I am hopeful that the collection will be published, but I’m more mindful of the fact that working on this book allowed me to, like Persephone, experience a kind of death, and in that death, I experienced a wondrous rebirth. These poems look like nothing I’ve ever written, and as I work to find a home for this collection, I am so grateful to burntdistrict, Sugar House Review, Briar Cliff Review, Tinderbox Poetry Journal, and Green Mountains Review, for housing some of these poems as I help them make their way into the world.

Persephone Tries to Grasp Autumn

My mother’s grief. It was impossible

to imagine. The leaves turning, falling
underfoot. All that sky caught between branches. Where
will the birds nest? I asked. He said I should be glad

that I was not so small. That my fate
wasn’t tied to a single drop of rain. As if

I were not tongued to his heart, tied
to my sex. I find myself wishing, not on petals,

but on glistening maggots, what eases the rot,
frees the bones to sing.

- This poem first appeared in the Spring/Summer 2015 Issue of Sugar House Review


Persephone, Watching the Spring Storm Roll in

Teeth on skin, the sky darkens
and everything,

even the tree that branches low to the ground-its bright fruit-

takes me back to him.
Split and cleaned of stem and pit,

at the root of every tongue lies a heart,

so I gave it to him. Seasoned by those starless nights
and the heat of limbs, while Mother sat

on her crumbling throne, how easily I turned to kindling,
the whole world trembling above me.

- This poem first appeared in the Spring/Summer 2015 Issue of Sugar House Review


Persephone Resists Her Myth

I’m a sliver of light under a locked door,
a scythe, a parable whispered at bedtime,

my sex, the cure and the curse
that cinches me into this dress fashioned

from shadows, weds me to the moment
I was taken. Stop holding vigil.

Forget me. Let the grass green.
I am not a warning, the siren you sound

when your daughters, under guise of picking flowers,
wander out of earshot, whispering
He loves me. He loves me not.

– This poem first appeared in burntdistrict, volume 3, Issue 1